KINJO Ikkokusai VII

Born in Hiroshima, Kinjo Ikkokusai VII is a seventh-generation lacquer artist working within the hereditary tradition of takamori-e (raised lacquer decoration), a highly specialised technique developed and transmitted exclusively within the Ikkokusai lineage for over 180 years. Trained at the Kagawa Urushi Lacquerware Institute from 1983 to 1988, he succeeded to the name Kinjo Ikkokusai VII in 1991. In 2011, he was designated Holder of Intangible Cultural Property of Hiroshima for “Ikkokusai Takamori-e” techniques.Takamori-e is executed by layering lacquer mixed with charcoal powder onto a lacquered or unpainted wooden base, gradually building three-dimensional forms that are subsequently refined, polished, and coloured. Metallic elements, including gold and silver powders and cut gold leaf, are often incorporated. The technique combines pictorial softness with sculptural durability and is traditionally passed to a single successor per generation. Originating in Hiroshima, takamori-e was systematised during the late nineteenth century by earlier generations of the Kinjo family and further expanded through the integration of maki-e (sprinkled picture decoration), chōshitsu (carved lacquer), and kirikane (cut gold leaf). The box Man’yō combines raised urushi imagery with maki-e, carved lacquer, and kirikane. Relief motifs are constructed through successive lacquer applications, while fine gold details articulate contours and transitions between flat and raised surfaces.