Honma works primarily with men’yadake, a bamboo that is native to Sado Island and known for its flexibility. He harvests and processes the material himself, a time-consuming process that determines both the structure and character of his pieces. His sculptures combine intricate woven forms with long lengths of bamboo, creating dynamic forms that evoke wind, water and natural movement. While grounded in the abstract style established by his uncle, Honma has developed a more sculptural approach, often working from small models and creating three- dimensional compositions rather than functional forms.
Honma has received numerous awards, including the tokusen (grand prize) at the Nitten in 2014. His work is held in major public collections including the Metropolitan Museum of Art, New York; the Art Institute of Chicago; the Museum of Fine Arts, Boston; the Asian Art Museum, San Francisco; and the Minneapolis Institute of Art.
